Re: [-empyre-] Do You Still Own Your Reality?



Sounds like some really good audience outreach here. Let's hope there's some lasting impact for those youth. I think Jacob Lillemose made some really good points:

At 11:16 AM +0200 10/11/04, Jacob Lillemose wrote:
I think a far more radical political statement for art would be to suggest a multitude of reconceptualizations of the world which the system as we know it so far doesn't allow us to comprehend.

The youth you guys were reaching at the event during the Republican convention are going to be key players in how we all create our future. Sorry to hear how things turned out in the Australian elections - hoping we're not left with the same outcome over here in the U.S. There are a few weeks left to impact that outcome and grass roots efforts such as those of us involved in MoveOn are in high gear in hopes of squeeking past the conservatives over here on Nov. 2 and I think getting out the youth vote is going to be key.


Yes, we have met Randall. We met a few years ago when you invited C5 to do a field mediation at the San Jose Museum of Art - the transcripts were posted on the Walker's site when Steve Dietz invited us to do the 16 Sessions project for the Shock of the View exhibition: http://www.walkerart.org/salons/shockoftheview/hybrid/hybrid1.html

geri


Geri (didn't we meet at Joel Slayton's some years ago?).

I wish you could have seen our recent installation, the Experimental Party DisInformation Center, installed at LUXE gallery right in the heart of the 57th St. gallery district in NYC during the Republican Convention. Also the heart of the NYC Gucci neighborhood. Not a typical place for political art.

In any case, we had everyone from students to activists to red meat Republicans, etc. going through the gallery. Around 5,000 people in two weeks. There was one group of students from a New School sociology class that had been given the assignment to view the show and interview me. The Professor said the show had "opened the eyes" of her students to the current political climate and the use of propaganda by the Republicans. These were kids not at all experienced with contemporary new media art, so this struck me as particularly compelling.

To get to the point, US DAT is a form of "performance art" that dissolves the border between the virtual and physical realms of galleries, Web sites, press releases, live performance, etc. It is intended to reach people viscerally in its use of fantasy and satire, which I believe, has been effective in drawing a large audience into thinking about complex issues that might otherwise be inaccessible.

I believe that if art has a political message, it needs to touch people, it needs to connect with people and the world they live in. Otherwise, you are right, it comes off being not only humorless, but colorless and ineffectual.

Randall

Yes, thank you Randall, very valid point. That's something I've been trying to reconcile for a long time myself. I was involved as an artist with ActUp in the early 90's and did a lot of political art in the 90's related to such U.S. domestic issues as the Telecommunications Act (media concentration) and international issues such as the Hong Kong handover in '97, but with the explosion of global information technologies in the past decade I began thinking there needed to be new strategies that weren't so didactic, etc. I've been to lots of art and activism discussions, actually recently went to one a few weeks ago up in Northern California - one of the key points that was made there was the need for not being over the top and hitting people over the head in a humorless way and also communicating to people on a personal/emotional level. What you at DAT do does embody humor and I think that is one of your strengths, but I think my negative reaction when I read some of your statements is some of it seems like preaching to the choir and perhaps holds a condescending tone that might not be helpful. But of course I could be wrong, as I'm not really sure who DAT has been reaching in terms of audience.

I agree with Tobias and think "stealth" was probably the wrong choice of words.

At 12:18 AM -0400 10/9/04, tobias c. van Veen wrote:
Although sometimes I feel the stealth approach, unless as disguised as the
ultimate model, the mythical Hashasheen, is simply an excuse for faking the
chameleon and reaping the benefits of the system while espousing its
downfall.

What I mean instead is to work to communicate in a way that is not in a confrontational/didactic way that builds resistance to hearing, but in an expansive way that is stealth in that one attempts to fully understand what makes those you're trying to be in dialogue with tick and using that knowledge to be more effective.


To point to a work that I think has been very enlightening in these technologically-savvy times, I would say Josh On of Future Farmer's "They Rule": www.theyrule.net

geri

To Geri and the rest of the empyre list:

Elaborate on the proposition of a "stealth" approach to confronting the current political environment and its players who partake in elaborate mechanisms of public deception and media manipulation.

What is the 21st century solution?

How can artists engage in effective mediation in these increasingly, technologically-savvy times?

Randall

I think there's a very clear understanding of the power of the media and has been for a long time in academic, publishing, art, media, etc. fields. I just don't think this "rhetoric" is effectual, in my opinion it's not shedding any new light. I think this strategy echoes a political activist art practice that worked well in the 80's and early 90's, but we're in a different even more media savvy time that I think demands an even more stealth approach.

geri wittig

The statement was posed rhetorically, clearly not everyone is asleep...

The problem is: 45% of the country can't be awakened from their hypnosis. They will vote for Bush even if he is campaigning for the apocalypse (which, by the way he is). If the rest of us are searching for ways to confront our "nation of robotic brethren," to quote Abe Golam, we must have a better understanding the power of the media as the opiate of the masses.

----------

From: Geri Wittig <gwittig@adobe.com>
Date: Thu, 07 Oct 2004 08:35:17 -0700
To: soft_skinned_space <empyre@lists.cofa.unsw.edu.au>
Subject: Re: [-empyre-] Do You Still Own Your Reality?

I completely understand the sentiment of this post - the Bush opposition
movement in this country has been critiquing the power of the misinformation
and fear mongering that comes out of the Bush administration - this is not a
new observation and has been duly noted for years. I watched the
Cheney/Edwards debate and had the same analysis of Cheney's uncanny ability
to hypnotically put forth inaccuracies that an uninformed public would take
at face value without question, but to lump all of "America's reality" into
one basket is a disservice to the many in the trenches who have been
fighting the good fight to oppose the Bush administration in all of it's
varied negative policy impacts upon the world. For example, in these last
few weeks of this campaign, the work that many grassroots voter registration
efforts have been doing are showing results - the late voter registration
has been surging. A friend of mine who recently moved to North Carolina, a
Republican stronghold, informed me that late voter registration is running
60% Democrat, 12% Republican. Yes, we need to continue to critique and point
out the insane "reality" that the Bush administration is trying to pull over
the uninformed American public's eyes, but we need to also acknowlege where
the work in action is gaining some ground. On a psychological level it's
going to be important to help boost any momentum that is being gained by the
Bush opposition, as it's going to be very important for getting out those
left leaning voters who do not support Bush's policies, but who haven't
voted in years because they've become disillusioned with the system and have
gone into inaction. Critique is vital, but without action and
acknowledgement of the successes that that action may be attaining, the
critique is futile.


geri wittig

(((((((((( We the Blog Update: Do You Still Own Your Reality? ))))))))))

 October 07, 2004

 The Republicans are heightening the attack, ramping up their spin
 strategies to reinforce disinformation in order to fool the country
 into re-election.

 Straight out of the playbook from Orwell's 1984...

 They continue to retool their highly refined doublespeak tactics to
 maintain a stranglehold on the reality of unsuspecting Americans.

 Have the Republicans co-opted your reality?

 According to columnist Tina Brown in the Washington Post discussing the
 VP debate:

 "Cheney found a more primitive way to bluff with a bad hand... In a
 culture of blatherers, Cheney intimidates with his silences, his
 stingers, and above all his awesome capacity to stare down the evidence
 and assert that black is white."

 Despite the fact that this week, the administration's own Paul Bremer,
 Don Rumsfeld, and the weapons investigator Charles Duelfer have all
 declared the reason's for going to war were deeply flawed,  as well as
 the so called follow-up plan, Bush and Cheney not only stand their
 ground, the tighten their tenuous grip on a fictional narrative
 designed to disguise their true ambition to control the oil-rich middle
 east.

The real issue in this election though, is America going to wake up to
the dream (or nightmare) it finds itself in? Can we lift the veil on the
disinformation pouring out of the White House. Can we take command of
> our own reality?

Or has America's reality been permanently hijacked by the Republicans and their media propaganda machine?


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